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There is not a lot of background material on the Russian artist and Expressionist Chaim Soutine. He was born Chaim-Iche Solomonovich Sutine in Smilavichyi, a Jewish shtetl in the Russian Empire in 1893, and was one of eleven children. From 1910-1913, he studied in Vilnius, an art town in Lithuania at the Vilna Academy of Art.
Like a good detective, the film Chaim Soutine: 20th Century Expressionist Artist (2008) starts at the beginning of Soutine’s life by looking at his file from when he immigrated from Russia to France. Chaim Soutine: 20th Century Expressionist Artist is a fast and enjoyable documentary film suitable for high school students, college students, artists, and art lovers.
From Russia to Paris
In 1912, Soutine arrived in Paris and lived at the same address as another famous Russian artist Marc Chagall who was also Jewish and born in current-day Belarus. Soutine took painting classes at the Fine Arts Academy in Paris, the École des Beaux-Arts, and studied under Fernand Corman. What is interesting to note about Soutine is that looking at the paintings of Corman, he would have studied very classical painting and art. But the somewhat skewed and unique paintings by Chaim Soutine are not at all classical.
This film draws on an archival film interview with Michel Kikoine, an artist and longtime friend of Soutine. A current interview with the daughter of Kikoine, Claire Maratier, provides wonderful insight into the life of Soutine. Sadly, Maratier remembers Soutine as the proverbial starving artist. Another friend of Soutine’s recalled that he had thrown out all of his furniture because it was filled with bedbugs. Yuck!
Portrait of Chaim Soutine by Amadeo Modigliani (1917)
Soutine and Modigliani
In 1914, Soutine volunteered to join a trench-digging corps of soldiers preparing for WWI, but poor health demanded that he leave his labor after a few months. Later in Paris, France, Soutine was introduced to artist Amadeo Modigliani by another artist, Jacques Lipschitz. Soutine and Modigliani later shared an apartment together. Modigliani and Soutine were both enamored with each other’s artwork and the older artist, Modigliani, introduced Soutine to his art dealer Leopold Zborowski.
It makes sense that artists Chaim Soutine and Amadeo Modigliani would become friends. They are both living and working artists in France from another country. They both have very unique painting styles that challenge the status quo of classical art. They also both liked to drink alcohol. Both Modigliani and Soutine were Jewish and lived in a time and place where Jews were discriminated against. As artists and Jews living during World War I, Soutine and Modigliani would have many shared interests.
While the art dealer Zborowski put Soutine on a retainer of five francs per day, he also sent him away to paint in Céret in southern France as Zborowski’s wife allegedly could not stand the foreign and gruff Soutine.
Portrait of Leopold Zborowski by Amadeo Modigliani
Soutine Subject Matter
Soutine became interested in painting the flayed animals that were hung out to sell by the local butchers in Céret. So taken with this meaty subject matter, Soutine would sneak into slaughterhouses to paint. Animal carcasses remained a recurring theme for most of Soutine's working life as did landscapes and portraiture.
One of the best parts of this film is that much of the scenery painted by Soutine still exists. The filmmakers excel at melding actual landscapes with the paintings of Soutine to show the similarity but also to reveal the exaggeration that Soutine used that often turned into extreme Expressionism. This film also shows the vigorous and almost manic brushwork that characterizes a Soutine painting.
When Soutine’s dealer and patron Leopold Zborowski comes to visit the artist in Céret, he is unhappy with the new paintings. In a fit of frustration, Soutine burns many canvases.
Le Petit Patissier 1922-23 by Chaim Soutine
Dr. Barnes Discovers Soutine
When American art collector Dr. Albert Barnes comes to Paris, he buys up many of Soutine’s paintings. It is thrilling to hear the tale of Soutine’s overnight success from an eyewitness, art dealer Paul Guillaume. While in the studio of Modigliani, Guillaume spied a painting in the corner which caused him great excitement. The painting was a portrait of a pastry chef from Céret with an exaggerated ear. Guillaume bought the painting and hung it in his gallery. When Dr. Barnes saw the painting he is reported to have said, “That’s a peach of a painting.”
However, a letter from Dr. Barnes tells a different story. Barnes claims that he first saw a painting by Soutine when he was with Paul Guillaume at a café in 1922 in Montparnasse, France, and then went and bought 52 paintings from Leopold Zborowski. Barnes writes in a letter,
“The main reason I bought so many of the paintings was that they were a surprise, if not a shock, and I wanted to find out how he got that way. Besides, I felt he was making creative use of certain traits of the work of Bosch, Tintoretto, Van Gogh, Daumier, and Cézanne, and was getting new effects with color.”
In 1923, Zborowski sends Soutine to paint in the French Rivera. By this time, Soutine’s allowance was raised to 25 francs and he was enjoying the fruits of his artistic labor, as was Zborowski. As a painter and artist whose work was selling, this was a win-win for the artist and the art dealer.
Carcass of Beef, 1925, by Chaim Soutine
Who Influenced Soutine?
In discussing the animal carcass paintings of Soutine, it is noted that he drew inspiration from other artists who had painted the same subject matter including Rembrandt’s Slaughtered Ox (1655) and Jean-Baptiste-Siméon Chardin, The Ray (1728). The weird and wiggly painting of Chaim Soutine has much in common with Belgian artist James Ensor (1860-1949), who also painted carcasses. Soutine visited the Louvre in Paris often and admired the works of Corot and Courbet. The work of Soutine influenced other artists who came after him including Francis Bacon, Jackson Pollack, and Willem de Kooning.
When art dealer Leopold Zborowski loses all of his money in the stock market crash of 1929 and later passes away, two new art collectors, Madeline and Marcellin Castaing fall in love with the artwork of Chaim Soutine. The artist has his own bedroom in their country estate in Leves near Chartres, and Soutine visits often to paint the beautiful countryside.
During World War II Chaim Soutine is placed under house arrest along with his wife as he is a Russian Jew and she is German. Short of cash, Soutine tries to pay for milk and eggs with paintings, but the villagers regard his artwork as too strange to even trade for-- if they only knew the current value of the artist's work!
As a Jew, Soutine was forced to register with the French government, and then he moved many times to escape detection. In 1943 Soutine dies of a recurring stomach ulcer which could only have caused excruciating pain and agony for the artist, another victim of the Nazis.
Eva, 1928, painting by Chaim Soutine
The Legacy of Chaim Soutine
While Chaim Soutine dies at age of 50 his artwork continues to be admired and revered in ways that the artist could not have ever imagined. For example, a painting by Soutine entitled Le Bœuf Écorché, 1924, sold at auction in 2006 for $13.8 million. The artist's paintings have been recognized for their painterliness and avant-garde subject matter-- Soutine was ahead of the art curve.
Another of Soutine's paintings became a rallying point for Belarussian independence and fair elections in 2020. The town where Chaim Soutine was born is in current-day Belarus. You can read more about it in this opinion piece by Belarus professor Almira Ousmanova. The National Gallery of Art in Washington DC has a great brief bio of the artist attached to the portrait of Soutine painted by his friend Amadeo Modigliani.
